story-driven
screen content

Belinda Barancewicz is a Canberra-based freelance director, producer and screenwriter delivering screen content across broadcast & streaming platforms, children’s programming, corporate and commercial sectors.

With over 20 years of professional broadcast experience, Belinda delivers broadcast-standard screen content across television, children’s programming, corporate and education sectors, combining strong script development with decisive, collaborative leadership.

Belinda is a trusted lead for complex productions and is regularly engaged to support national and international crews with on-ground production and field leadership.

from script to screen

Television & Film

Script development, writing and direction across broadcast and children’s television, from concept creation through to delivery. Experienced in writers’ rooms, studio and location shoots, working to national broadcast standards.

Also engaged as a field producer supporting national and international crews with on-ground production leadership.


Director, Producer, and Writer

  • Credits include Play School


Field Producer for International & National Productions Houses,

  • Credits include Netflix MH370: The Plane that disappeared


Writers Rooms

  • Credits include Indigo Brief


Integrated Screen, Radio, Podcast and Web Content

  • Credits include ABC Kids & ABC Listen


Former Senior Producer & Director at Southern Cross 10/Nine

  • Credits include commercials, corporates, live tv, panel shows, station IDs, infomercials and telethons


Commercial & Corporate

Script-led, story-driven screen content for corporate, government and education organisations. From intimate day shoots to large studio and location productions, delivering polished, audience-focused outcomes on time and on brief.


Slate of over 1000 television commercials

  • Credits include: Hoyt’s; Australian National University ANU; Southern Phone; University of Wollongong; and Rolfe Honda


Content Creation

  • Credits include University of Western Australia; PBS Building; NASOG; and Canberra Plastic Surgery


Branding & Messaging

  • Clients include St Joseph’s Primary School


Amalgamated Screen, Radio & Web Campaigns

  • Credits include ACRA Best Multimedia Campaign Winner Love Month


Agency, Broadcast, Production House, and private bookings

  • Clients include: Cobox, P2 Content Creation; ABC; and Clemenger BDO (SC10)


Speaker & Creative Consultancy

Workshop facilitation, creative development and industry mentorship across screen and storytelling practice. Supporting teams, organisations and emerging practitioners with practical insight and collaborative leadership.


Workshop Facilitator

  • Clients include: Arts Up Front - ACT Govt Teacher PD Training; Bus Stop Films; and CSIRO


Guest Lecturer

  • Featuring at: University of Canberra, Australian National University; and CSIRO


Creative Consultancy

  • Credits include GlavCorp


Industry Mentor & Attachments

  • Including funded mentorship’s by ABC Kids


Festival Judge & Peer Assessor

  • Appointments include: Lights Canberra Action Judge; ACT Public Art Works Assessor; and Arts ACT Peer Assesment Panel - Film & Digital Arts


Your Questions, Answered

  • You can reach out anytime via the contact page. Responses are quick—usually within one business day.

  • Yes.

    Production Companies, Broadcasters and Independent Producers can engage during any stage of script development or for writers rooms.

    Belinda occasionally collaborates on emerging artist and university projects. These engagements are limited and subject to availability.

  • Pricing is custom. We’ll start with a conversation to understand your needs, then give a clear, tailored quote based on project type and complexity.

    For creative campaigns and full productions, you get one all‑in price once the concept and scope is set.

    For shows and operator bookings, flexible options are available including: day rates, episodic buy outs, and run-of-show PAYG.

  • For creative campaigns and full productions, professional freelance Heads of Department, crew members, and cast are attached based on suitability to the project and availability.

    For field production and film/TV bookings, visiting national and international cast and crews will be happily supported to industry standards.

    Local crew and operator recommendations are available on request.

  • Yes. Non-Disclousre Agreements can be embedded into the production contract or signed separately when supplied at the time of booking.

  • Insurances are discussed at the time of booking and dependant if engaged as an individual service provider, through an agency, company or via a third-party platform.

    In all cases we’ll clarify who is responsible for which cover before the booking is finalised.

  • Mentorships are available with approved government, screen body, or broadcaster funding.

    Director and writer attachments for television are usually arranged directly through production companies or national/state screen bodies.

    Expressions of interest in mentorships can be made via the contact form.

Ready to bring your story to life?

Get in touch to discuss your next production, script development or screen project.

Responses are quick - usually within one business day.


Belinda Barancewicz

DIRECTOR | PRODUCER | SCREENWRITER

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